七夕节的由来英文版
七夕节的由来英文版
The Double Seventh Festival refers to the seventh night of the seventh lunar month. It is a traditional folk festival of the Han people. This night is not only the time when the legendary Cowherd and the Girl Weaver are supposed to have their annual meeting, but also a good opportunity for women to pray for the Girl Weaver for the purpose of seeking dexterity. Therefore, this festival is also named " Maiden's Day", " Daughter's Day". The day is not as well-known as many other Chinese festivals. But almost everyone in China, young or old, is very familiar with the story behind it.
Once upon a time, there lived a poor cowherd, Niulang, whose parents had died long before. He had to live together with his elder brother. Unfortunately, his brother and his sister-in -law were very mean and often treated Niulang very badly. They would not give him enough food to eat, and made him work so hard that he hardly had time to sleep. Finally, they kicked him of their home. All he had in the world were the clothes on his back and an old ox.
Niulang built a small thatched cottage on the side of a mountain. He cut and dug and sweat until he had made a vegetable garden out of the rocky soil. He was often tired and hungry, but always found time to take good care of his old ox. One day, the old ox suddenly began to speak to him. It said that it used to be Taurus, the Golden-Ox Star, in the sky and had been banished by the Lord of Heaven to this world as punishment for its violation of heavenly rule by spreading grain seeds to this world. The old ox told Niulang that the goddesses of Heaven would take a bath in a sacred pond not far from his cottage a few days later. Among them was a beautiful, virtuous and industrious girl whose name is Zhinu, the Girl Weaver. Zhinu was a granddaughter of the King of the Heavenly Kingdom. If the Cowherd took the advantage of their bath in the pond to take away her clothes, she would stay and become his wife.
七夕情人节指的是农历七月的第七个夜晚，这个节日是汉代传统的民间节日。七夕的晚上不仅仅是传说中的"牛郎"和"织女"一年一度相会的夜晚，同时也是为编制姑娘们祈求心灵手巧的好机会。因此，七夕节又叫"乞巧节"，"女儿节"。尽管七夕节不如其它节日那般流行，但是在中国，男女老少都对节日背后的故事相当熟悉。
很久以前，有一个放牛娃名叫牛郎，父母早亡，只好跟着哥哥嫂嫂度日。然而，哥哥嫂子为人狠毒，经常虐待他。他们逼牛郎干苦活，不让他吃饱睡好，最后又把他赶出了家门，牛郎除了身上的衣服和一头老水牛外，一无所有。
牛郎在山边搭了间茅草屋，辛勤开垦，在岩石地上挖出了一片菜园，他常常饥肠辘辘，劳累不堪，但把老水牛照顾得好好的。一日，牛突然说话了，它告诉牛郎说自己前身是天上的金牛星，由于违反了天条把粮食种子撒到了人间，天帝将它贬到人间以示惩罚。老牛说，过几天，天上的仙女会下凡到离茅草屋不远的圣池里游泳，其中有一个勤劳善良、美丽贤惠的姑娘，名叫织女。织女是天宫中王母娘娘的外孙女，如果牛郎能趁仙女洗澡的时候把织女的衣服拿走，她就会留下来作他的妻子。
到了那天，牛郎藏在高大的芦苇丛里等着。老牛说的话显灵了，仙女们很快就到了，她们脱掉丝袍跳进水里。牛郎偷偷地爬出来，拿起织女的衣服跑开了。仙女们吓着了，赶快上岸，穿起衣服跑开了，把织女一个人留在后头。牛郎跑回来，把衣服还给了织女，他对织女一见钟情。两人相对而视，织女对牛郎说要做他的妻子。
两人结婚后，牛郎耕田种地，织女纺线织衣，恩恩爱爱。织女成了远近的名人，她心灵手巧，养蚕纺纱，编锦织缎，样样精通。三年后，侄女生了对龙凤胎，男孩儿叫"金哥"，女孩儿叫"玉妹"。小两口日子过得幸福美满，牛郎织女满以为能够终身相守，白头到老。
一天，牛快死了，临死前说对小两口说，将它的皮剥下来放好，有朝一日，披上它，就可飞上天去。牛死后，牛郎心疼地剥下牛皮，小心翼翼地收藏起来。
这时候，玉皇大帝和王母娘娘听说孙女到了人间，还结婚生子，非常生气，遂下令天神尽快把织女捉回来。
一日，牛郎从地里回来看见孩子们坐在地上哭，忙到织布机前看，没人。孩子说，有个老太太把妈妈抓走了。牛郎记起了老牛对他说的话，他把孩子放到两个箩筐里，披上牛皮，挑起箩筐，突然，他轻如浮云，飞向天空。眼看快追上了，王母娘娘听到了小孩的哭声，她朝后一望，从头上取下金簪，在身后划了一道，天空中立马出现一条奔腾的河，这条河就叫天河。天河太宽，河水湍急，牛郎飞不过去，只能看着织女飞走，父子三人哭得揪心裂胆，天帝见此情景，大为感动，遂允许牛郎织女每年农历七月初七在天河上鹊桥相会。
这对可怜的夫妻变成了星星，牛郎变成了牵牛星，织女成了织女星，把他们分开的河就是银河。
这个悲楚动人的故事一代代相传。据说，七月初七那天，喜鹊很少，因为他们都要飞到银河上为牛郎织女搭起约会的桥。由于牛郎和织女在上面站的时间太长了，次日，这些忠实的喜鹊头都变秃了。
在中国，许多人把"七夕节"当成本族的情人节。
七夕时常见的传统习俗
祭月之仪
夏人的文化里上古遗传的祭祀月神，多在朔日，即一七、二七，有认为盛于汉代的十五祭月，也是对二七日的小小修正。古时女子多有祭拜月亮的习俗，在传统文化里，月亮始终是女子的祥瑞。她们常常对月祈愿或倾诉心事。古来自有女子拜月的传统，尤其是七夕、中秋。貂蝉祭月的传说大约是最动人的画面了。
穿针乞巧
这是最早的乞巧方式，始于汉，流于后世。《西京杂记》说：“汉彩女常以七月七日穿七孔针于开襟楼，人具习之。”南朝梁宗谋《荆楚岁时记》说：“七月七日，是夕人家妇女结彩楼穿七孔外，或以金银愉石为针。”《舆地志》说：“齐武帝起层城观，七月七日，宫人多登之穿针。世谓之穿针楼。”五代王仁裕《开元天宝遗事》说：“七夕，宫中以锦结成楼殿，高百尺，上可以胜数十人，陈以瓜果酒炙，设坐具，以祀牛女二星，妃嫔各以九孔针五色线向月穿之，过者为得巧之侯。动清商之曲，宴乐达旦。土民之家皆效之。”元陶宗仪《元氏掖庭录》说：“九引台，七夕乞巧之所。至夕，宫女登台以五彩丝穿九尾针，先完者为得巧，迟完者谓之输巧，各出资以赠得巧者焉。”
投针验巧
这是七夕穿针乞巧风俗的变体，源于穿针，又不同于穿针，是明清两代的盛行的七夕节俗。明刘侗、于奕正的《帝京景物略》说：“”七月七日之午丢巧针。妇女曝盎水日中，顷之，水膜生面，绣针投之则浮，看水底针影。有成云物花头鸟兽影者，有成鞋及剪刀水茄影者，谓乞得巧;其影粗如锤、细如丝、直如轴蜡，此拙征矣。”《直隶志书》也说，良乡县(今北京西南)“七月七日，妇女乞巧，投针于水，借日影以验工拙，至夜仍乞巧于织女”请于敏中《日下旧闻考》引《宛署杂记》说：“燕都女子七月七日以碗水暴日下，各自投小针浮之水面，徐视水底日影。或散如花，动如云，细如线，粗租如锥，因以卜女之巧。”